Art Appreciation Chapter 4

Colors which appear oppisite each other on the color wheel are known as ___________.

__________ can best be described as the path traced by a moving point.

The term _____________ refers to the board on which artists mix colors or the artist's range of color.

The 18th century Indian painting Maharana Amar Singh and others watching musicians and acrobats utilizes the two most basic visual cues for implying depth on a flat surface. They are position and ___________.

In art, shapes that suggest forms found in nature are called ___________ shapes.

A black and white photograph of a scene eliminates the hues and intensities of the scene's colors, but captures the ______ of the colors.

In drawing, the outer boundaries of 2D forms are defined by________, while the outer boundaries perceived among 3D forms are defined by__________.

In painting and drawing, artists often use the technique of ________ to describe the way shadows and light define the mass of forms.

The ______________ in Leonardo Da Vinci's the Last Supper is at the exact center of the picture, just behind the head of the figure of Jesus, and on the horizon line.

During the 20th century, _______ became a recognized element of art.

In the additive process of color mixing, red light, green light, and blue light combine to produce ________ light.

Artists who use tiny dots in varying concentrations to indicate light and shadow are using the __________ drawing technique.

Textures we experience through the sense of touch are called actual texture or _______ textures.

_____________ describes the process of sunlight being broken up into a spectrum or rainbow band.

Parallel lines receding into the distance, in linear perspective, seem to converge at a vanishing point which is located on the ___________.

The shapes we perceive as figures, we call ____________ shapes.

________________ relates to the visual information surrounding a shape that we detach and focus on.

A hue darker that the hue's normal value is called a ______.

Any three color equally distant from each other on the color wheel form a_______ harmony.

In a 2D art form, the actual flat surface on which the work is executed is called the _________.

Artists can portray ______ textures that are created to look like something other that a flat painted surface.

Raphael's The Madonna of the Meadows is composed using the implied shape of a _____.

___________ perceptive is the viewpoint from above and parallel lines do not converge in the distance.

A necessary feature of a pattern is _______.

A drawing using only lines or dots can indicate shadows.

Analogous color harmonies are those in which the colors are close to ones another on the color wheel.

A rainbow is the result of reflection of light from a still surface.

Foreshortening is the term fro the effect produced by applying the logic of linear perspective to every form that recedes into the distance, including people and animals.

Secondary colors cannot be mixed from primaries.

Atmospheric perspective is never used in Chinese paintings and drawings.

Texture can be either implied or actual.

Raphael's the Madonna of the Meadows is composed using the implied shape of a circle.

Geometric shapes and masses look more natural than man made.

Lines are sometimes used in art to indicate direction and movement.

On the color wheel, yellow, red and blue are primary colors.

Many of the sculptures of Calder can be classified as kinetic.

The colors in a drawing or painting can be translated into values by black and white photography.

The term "atmospheric perspective" can best be applied to marble sculptures.

The "vanishing point" is the level at which paintings are hung on the wall.

Isometric perceptive is only used by architects.

Monochromatic harmonies are composed of any three colors equidistant from each other on the color wheel.

Mixing 2 primary colors produces a triad color.

Implied lines guide a viewer's eyes around a work of art.

The common issue facing those who work to conserve works of art is: the effect of light, the work of earlier restorers, changing levels of heat and humidity, pollution.

Tint

Shade

Pattern

Kinetic Art

Restricted Palette

Open Palette

Value

Simultaneous Contrast

Refraction

Picture Plane

Vanishing Point

Hue

Ground

Figure

Palette

Foreshortening

Chiaroscuro

Implied Lines

Afterimage

Geometric

Organic

Horizon Line

Contour

Outline

Direction

Movement

Area

Implied

Volume

Cross Hatching

Hatching

Model

Implied Light

Stippling

Color Wheel

Cool Colors

Primary Colors

Secondary Colors

Tertiary Colors

Warm Colors

Analogous Color Harmony

Complementary Color Harmony

Monochromatic Color Harmony

Triadic Color Harmony

Optical Color Mixture

Pointillism

Actual/Tactile Texture

Visual Texture

Atmospheric Perspective

Implied Space

Isometric Perspective

3D Space

Linear Perspective

Overlapping

Placement/Position

Seven Visual Elements

Three types of Directional Lines and What Movement they Suggest

Three Types of Perspective

Three Techniques for Creating Values using Linear Mode

Two Ways to Create Depth without using a Form of Perspective

Four Color Harmonies