14

Western theater began as a form of worship of the god ____.

The Sydney Opera House owes a stylistic debt to the architecture of ____.

The structure of the Sydney Opera House is referred to as ____.

Frank Gehry's architectural works usually lack ____.

Deconstructivist architecture does not have ____.

Roman imperial baths, such as the ____, had libraries, art galleries, restaurants, bars, and gymnasiums and offered theater performances, public lectures, and athletic contests.

Central Park was designed to be a(n) ____ from city life.

The Japanese Bunraku translates to ____.

The Japanese theater musicians played a stringed instrument called a ____.

A modern theatrical puppet performance on Broadway is ____.

The posters of Henri de Toulouse-Lautrec were influenced by ____.

The first examples of performance art were called ____.

In the ancient city of Ur, bearded bulls symbolized ____.

The North American Sioux Open Circle Dance celebrated ____.

The opening ceremonies for the Olympic games is an example of ____ — a public exhibition on a grand scale.

Visual culture is an area of academic study that deals with the totality of images and visual objects produced in ____, and the ways that those images are disseminated, received, and used.

The Mayan's ritualistic ball sport has similarities to the contemporary game of ____.

Architect Frank Gehry was originally trained as a ____.

The cascading vaults of Joern Utzon's Opera House in Sydney are intended to suggest ____.

____ is a relatively early form of animation which uses clay sculptures that are moved and photographed in tiny increments.

Animation grew out of ____, in which a series of drawn images seem to move as book pages are flipped rapidly.

In 1927, ____ was/were added to motion pictures.

____ culture refers to the production, use and dissemination of images and visual objects, particularly in industrial and postindustrial nations.

____ is the academic discipline that investigates visual media and its effect on entertainment, information, political power, and social structures.

As seen in the Theater at Epidauros designed by Polykleitos, the Classical Greek ideal shape was the ____.

The seating area of ancient Greek theaters was called the ____.

In the nineteenth century, houses for the arts were often very ornate or built in the ____ style to resemble a Greek temple.

____ architecture, rooted in the work of Frank Lloyd Wright, often results in designs that resemble "functional sculpture."

Located in the middle of Manhattan in New York City and designed by Frederick Law Olmsted and Calvert Vaux, ____ is considered to be an outstanding example of landscape architecture.

The Hakone Open-Air Museum is located in Japan's Hakone National Park and is surrounded by the beauty of the ____ Mountains.

A favorite subject of Henri de Toulouse-Lautrec, ____ was a singer and dancer at the famous cabaret Moulin Rouge.

____ art is a visual art form that incorporates live action and mixed media and is presented before a live audience.

The ultimate purpose of visual culture is to record the language of visual media so that images have a universal meaning regardless of nationality or culture.

Ancient Greek comedies and tragedies were originally part of ritual festivals dedicated to the deity Dionysos.

Most contemporary houses for the arts are built in architectural styles that reflect modern values of innovation, bold movement, or future potential.

Frank Lloyd Wright's Solomon R. Guggenheim Museum in New York is architecturally engineered to display paintings and sculptures at their best.

In ancient Greece, art galleries were frequently near temple complexes.

In its original state, the Colosseum in Rome was a spartan amphitheater devoid of any ornamentation except for its Doric capitals.

Rome's Colosseum was built on the site of an artificial lake where a colossal statue of Emperor Nero once stood.

Bull jumping was a popular sport in the ancient Minoan culture.

In the Cycladic Islands off Greece, sculptures of ballplayers, musicians, and acrobats were found buried in graves.

Matthew Barney's Cremaster I references Busby Berkley musical productions from 1930s' Hollywood films.