Theater Quiz Chapter 6

22 August 2022
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question
The paradox of the director implies that his/her touch is everywhere and nowhere; he/she is invisible yet connected to all aspects of the play.
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true
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Which of the following was one of several directors who not only fostered the development of realist and naturalist dramas but who was also considered artists, analysts, therapists and even mystics? A. Arthur Miller B. Clive Barnes C. Harley Granville-Barker D. Paul Fort
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Harley Granville-Barker
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A dramaturg is not necessary to a play, but may significantly change the overall quality of the production.
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true
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The ancient Greek word for director is A. didaskalos, meaning "teacher." B. himation, meaning "holy one." C. spargasmos, meaning "dividing into parts." D. tyrannos, meaning "leader."
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didaskalos, meaning "teacher."
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As a response against Stanislavsky's realism, the director Vsevolod Meyerhold evolved a theatre of "biomechanical constructivism" in Moscow.
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true
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What is one factor that can determine the pace of a play? A. the number of lines or pages in the script B. the speed of the actor's delivery in 'real life' C. the genre of the play, as with farce needing to be fast D. whether or not the play is being filmed
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C. the genre of the play, as with farce needing to be fast
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The director spends most of her time doing which of the following tasks? A. selecting the play B. working long hours with the dramaturg C. coaching the actors D. working with designers
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C. coaching the actors
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What is meant by the "concept" of a play?
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C. the director's central idea which focuses his or her interpretation
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The "core concept" is
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the director's determination of the most important of the many images, ideas, and emotions that will give the production meaning.
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Small-scale movement on the stage, which an actor performs within the larger pattern of entrances and exits, is called A. blocking. B. business. C. producing. D. managing.
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business
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A great directorial concept has the qualities of being generalized, well-established by tradition, intellectually relaxing,, and readily apparent without much imagination.
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false
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Which person is responsible for the financial support of the production and, working closely with the director, also contributes to many "directorial" decisions in the production process? A. producer B. director C. technical stage manager D. stage manager
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A. producer
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Which of the following INCORRECTLY pairs a director with his or her previous profession? A. Elia Kazan: actor B. Gower Champion: choreographer C. Robert Wilson: architectural student D. Mike Nichols: lighting designer
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D. Mike Nichols: lighting designer
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Which of the following is true of the history of the director's role? A. Directing has always been a specifically defined role within the theatre company. B. Directing is an innovation in drama that accompanied the proscenium stage. C. The idea of an independent director did not exist until the nineteenth century. D. Directing was done by a triumvirate of elders in ancient Greece.
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C. The idea of an independent director did not exist until the nineteenth century
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A director's responsibility is to assemble an artistic team that will follow the director's concept and collaborate.
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true
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The initial shows where a director can evaluate the production in terms of audience response and institute new changes are known as A. earlies. B. trailers. C. previews. D. design-throughs.
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C. previews.
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The role of teacher-director reached its historical pinnacle of influence, albeit anonymously, during the Renaissance and early Restoration periods.
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false
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The directing process encompasses the distinct periods of preparation and implementation.
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true
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Which statement best describes the end of the director's involvement with the play? A. Directors attend every performance and have rehearsals each week of a run. B. Directors do not see any performances of the play, leaving after the final rehearsal. C. The director may still change aspects of the play during previews or the run, but primarily has given over responsibility to the audience and might feel a twinge of isolation. D. The artistic involvement ends after casting; the technical involvement ends when the play's run is finished.
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C. The director may still change aspects of the play during previews or the run, but primarily has given over responsibility to the audience and might feel a twinge of isolation
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The rhythm of a production, sometimes confused with the speed of the actor's delivery, is called A. style. B. mode. C. pace. D. verisimilitude.
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C. Pace
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Which of the following is NOT a possible role undertaken by a professional dramaturg? A. personally coaching the actors in how to speak really difficult-to-memorize speeches. B. providing historical context for the play. C. writing program notes D. cutting, trimming, or adapting a script to fit the director's concept.
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A. personally coaching the actors in how to speak really difficult-to-memorize speeches.
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Which of the following is NOT included in the conceptualization of a play? A. a social or philosophical statement about meaning B. a specific interpretation C. a basic tone or texture D. the social history of the playwright
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D. the social history of the playwright
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The director's work with the designers is generally suggestive and corrective, rather than overtly controlling.
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true
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The interest of the director and intended audience, along with the capability of the director and producer to conceptualize and produce the play, are all criteria for play selection.
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true
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Which of the following is NOT one of the goals of staging? A. to create focus for the play's theme B. to generate interest in the play's actions C. to allow the actors and director to show off D. to lend credibility to the play's characters
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C. to allow the actors and director to show off
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George II, Duke of Saxe-Meiningen, is generally regarded as the first modern director.
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true
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The timing and placement of a character's entrances, exits, crosses, embraces, and other major movements is called
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blocking
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André Antoine is primarily known as a ______ director.
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naturalist and idealist
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A director should possess all of the following EXCEPT
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a capable voice and an athletic physique, both which comprise the actor's instrument.
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Which of the following directors founded the Théâtre d'Art in Paris in 1890 as a direct assault upon the realist principles espoused by André Antoine?
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Paul Fort
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What does a director NOT seek in a designer-director collaboration?
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financial independence
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Which of the following tasks belong to the director?
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conceptualizing the play and giving it vision and purpose
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Which of the following is true of directors of antirealism?
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They are unrestrained by rigid formulas with respect to verisimilitude or realistic behavior
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What is the directors primary responsibility?
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to envision the main lines of the production and provide the artistic leadership to realize that vision
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Which type of rehearsal occurs near the end of the rehearsal process, as the play comes closer to production time but before the actors apply makeup?
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technical