Although the director's vision shapes a movie's mise-en-scène, the cinematographer must make decisions about:
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how to photograph the movie.
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A _____ is the basic building block of a movie.
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shot
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One camera position and everything associated with it is called _____.
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a setup
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The_____ is the person responsible for powering the lights and other camera-related equipment during production.
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gaffer
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A film stock's speed refers to its _____.
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sensitivity to light
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When mixed together in varying degrees, the three primary additive colors, consisting of _____, can produce all the other colors in the spectrum.
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red, yellow, and blue
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The four basic properties of lighting are _____.
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source, quality, direction, and style
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Which is the best-known lighting convention in feature filmmaking?
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The three-point system.
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_____ is a lighting technique often associated with horror and film noir.
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Low-key
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Adjusting the aperture of a camera lens changes the _____.
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amount of light that passes through the lens
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Wide-angle, normal, and telephoto lenses with fixed focal lengths are known as _____ lenses.
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prime
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Depth of field refers to the distances in front of the camera and its lens in which the subjects are_____.
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in apparent sharp focus
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The change in focus from one subject to another during a shot is known as a _____.
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rack focus
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When framing a shot, cinematographers are limited by the aspect ratio, which is the _____.
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relationship between the frame's width to its height
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The long and medium shot are names that refer to _____.
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the implied distance between the camera lens and the subject being filmed
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If you are a cinematographer and the director asks you to photograph just the lips of an actor, what type of shot is she asking for?
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Extreme close-up.
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When an extreme long shot shows a wide view of a location and provides some background information, it is also known as a(n) _____.
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establishing shot
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What technique keeps all three planes of the film frame in focus?
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Deep-focus cinematography.
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The compositional principle that divides the frame horizontally and vertically in order to visualize the height, width, and depth of cinematic space is called _____.
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the rule of thirds
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To visually imply a character's power and superiority, the camera is traditionally placed at _____ in relation to that character.