Unit 3 Test

What do Rudyard Kipling's works reveal about his political views? He favored colonization by the British. He was against British imperialism. He thought the British were unfair to the Indians. He thought the colonies were a burden to the British. He predicted that Britain would lose its colonies.

Read this excerpt from Rudyard Kipling's novel Kim in which Kim responds to the lama's questions. Then complete the sentences that follow. "So they made the triple trial of strength against all comers. And at the test of the Bow, our Lord first breaking that which they gave Him, called for such a bow as none might bend. Thou knowest?" "It is written. I have read." "And, overshooting all other marks, the arrow passed far and far beyond sight. At the last it fell; and, where it touched earth, there broke out a stream which presently became a River, whose nature, by our Lord's beneficence, and that merit He acquired ere He freed himself, is that whoso bathes in it washes away all taint and speckle of sin." . . . "If I knew, think you I would not cry it aloud?" "By it one attains freedom from the Wheel of Things," the lama went on, unheeding. "The River of the Arrow! Think again! Some little stream, maybe—dried in the heats? But the Holy One would never so cheat an old man." "I do not know. I do not know." The lama is looking for "The River of the Arrow" because ------ . The excerpt shows that ------ .

Which lines in this excerpt from Thomas Hardy's "The Darkling Thrush" signify hope in the midst of despair? I leant upon a coppice gate When Frost was spectre-gray, And Winter's dregs made desolate The weakening eye of day. The tangled bine-stems scored the sky Like strings of broken lyres, And all mankind that haunted nigh Had sought their household fires. The land's sharp features seemed to be The Century's corpse outleant, His crypt the cloudy canopy, The wind his death lament. The ancient pulse of germ and birth Was shrunken hard and dry, And every spirit upon earth Seemed fervourless as I. At once a voice arose among The bleak twigs overhead In a full-hearted evensong Of joy illimited; An aged thrust, frail, gaunt, and small, In blast-beruffled plume, Had chosen thus to fling his soul Upon the growing gloom.

Read this excerpt from "To an Athlete Dying Young" by A.E. Housman: Smart lad, to slip betimes away, From fields where glory does not stay, And early though the laurel grows, It withers quicker than the rose. What does the metaphor in the line "It withers quicker than the rose" imply? Fame and honor do not last long. Beauty will one day quickly fade away. The young have to eventually grow old. People nowadays do not live long lives. Fame is very easy to achieve for an athlete.

Which sentences in this excerpt from The Time Machine by H. G. Wells suggest that the Time Traveller told a captivating tale? "I can't argue to-night. I don't mind telling you the story, but I can't argue. I will," he went on, "tell you the story of what has happened to me, if you like, but you must refrain from interruptions. I want to tell it. Badly. Most of it will sound like lying. So be it! It's true—every word of it, all the same. I was in my laboratory at four o'clock, and since then ... I've lived eight days ... such days as no human being ever lived before! I'm nearly worn out, but I shan't sleep till I've told this thing over to you. Then I shall go to bed. But no interruptions! Is it agreed?" "Agreed," said the Editor, and the rest of us echoed "Agreed." And with that the Time Traveller began his story as I have set it forth. He sat back in his chair at first, and spoke like a weary man. Afterwards he got more animated. In writing it down I feel with only too much keenness the inadequacy of pen and ink—and, above all, my own inadequacy—to express its quality. You read, I will suppose, attentively enough; but you cannot see the speaker's white, sincere face in the bright circle of the little lamp, nor hear the intonation of his voice. You cannot know how his expression followed the turns of his story! Most of us hearers were in shadow, for the candles in the smoking-room had not been lighted, and only the face of the Journalist and the legs of the Silent Man from the knees downward were illuminated. At first we glanced now and again at each other. After a time we ceased to do that, and looked only at the Time Traveller's face.

How does H. G. Wells refute the theory of social Darwinism in The Time Machine? by showing that the future human race is free from labor or any form of danger by showing that both the upper and lower classes have evolved into degraded forms by showing that humankind would slowly triumph over all forms of disease and illness by showing that the future servants serve their masters without requiring payment by showing that humans of the future retain their social roles and power structures

Which sentence in this excerpt from The Time Machine by H. G. Wells indicates that the narrator has little hope for the Time Traveller's return? I felt an unreasonable amazement. I knew that something strange had happened, and for the moment could not distinguish what the strange thing might be. As I stood staring, the door into the garden opened, and the man-servant appeared. We looked at each other. Then ideas began to come. "Has Mr. —— gone out that way?" said I. "No, sir. No one has come out this way. I was expecting to find him here." At that I understood. At the risk of disappointing Richardson I stayed on, waiting for the Time Traveller; waiting for the second, perhaps still stranger story, and the specimens and photographs he would bring with him. But I am beginning now to fear that I must wait a lifetime. The Time Traveller vanished three years ago. And, as everybody knows now, he has never returned.

How does the last sentence of this excerpt from H. G. Wells's The Time Machine affect the reader? As I stood there in the gathering dark I thought that in this simple explanation I had mastered the problem of the world—mastered the whole secret of these delicious people. Possibly the checks they had devised for the increase of population had succeeded too well, and their numbers had rather diminished than kept stationary. That would account for the abandoned ruins. Very simple was my explanation, and plausible enough—as most wrong theories are! It encourages readers to always look for the simplest explanation. It makes the reader aware that the Time Traveller will probably meet a tragic end. It hints to the reader that unexpected changes in the Time Traveller's view may follow. It enables the reader to identify the Time Traveller's motives for traveling to the future. It makes the reader aware of the possibility that the Time Traveller may be lying.

Which lines in this excerpt from Wilfred Owen's poem "Dulce Et Decorum Est" suggest that even after the fighting has ended, soldiers continue to suffer the psychological consequences of war? But someone still was yelling out and stumbling And floundering like a man in fire or lime.-- Dim, through the misty panes and thick green light As under a green sea, I saw him drowning. In all my dreams, before my helpless sight, He plunges at me, guttering, choking, drowning. If in some smothering dreams you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face,

Which parts of this excerpt reflect Winston Churchill's belief that the Nazis could be overcome only through the collaboration of Great Britain and its allies? Speech to the House of Commons of the British Parliament, 4 June 1940 by Winston Churchill (excerpt) That is the resolve of His Majesty's Government, every man of them. That is the will of Parliament and the nation. The British Empire and the French Republic, linked together in their cause and their need, will defend to the death their native soils, aiding each other like good comrades to the utmost of their strength, even though a large tract of Europe and many old and famous States have fallen or may fall into the grip of the Gestapo and all the odious apparatus of Nazi rule. We shall not flag nor fail. We shall go on to the end. We shall fight in France and on the seas and oceans; we shall fight with growing confidence and growing strength in the air. We shall defend our island whatever the cost may be; we shall fight on beaches, landing grounds, in fields, in streets and on the hills. We shall never surrender and even if, which I do not for the moment believe, this island or a large part of it were subjugated and starving, then our empire beyond the seas, armed and guarded by the British Fleet, will carry on the struggle until in God's good time the New World with all its power and might, sets forth to the liberation and rescue of the Old.

What common themes of war literature are reflected in these excerpts? My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie; Dulce et Decorum est Pro patria mori. (Wilfred Owen, "Dulce Et Decorum Est") You smug-faced crowds with kindling eye Who cheer when soldier lads march by, Sneak home and pray you'll never know The hell where youth and laughter go. (Siegfried Sassoon, "Suicide in the Trenches") bitterness at the massive loss of life caused by war anger at the ignorance of civilians and leaders at home the innocence and ignorance of enlisted soldiers anger at the government for lying to enlisted youth the pain of those left at home waiting for the soldiers

Read this excerpt from Winston Churchill's first address to Parliament: I have nothing to offer but blood, toil, tears, and sweat... You ask, what is our policy? I will say: It is to wage war, by sea, land and air, with all our might and with all the strength that God can give us; to wage war against a monstrous tyranny, never surpassed in the dark and lamentable catalogue of human crime. That is our policy. You ask, what is our aim? I can answer in one word: It is victory, victory at all costs, victory in spite of all terror, victory, however long and hard the road may be; for without victory, there is no survival. What rhetorical elements make the speech effective? Churchill lists all the government's actions and war activities to help inspire the British people. Churchill invokes the will of God, giving his cause a religious authority and making the war seem like a sacred duty. Churchill asks questions that are designed to get the audience to agree with him, and he repeats key words and phrases. Churchill lists the sacrifices that will have to be made to win the war and shows war to be honorable and necessary. Churchill uses many adjectives such as dark, lamentable, and monstrous to show that war with Germany is necessary.

In which lines in this excerpt from T.S. Eliot's "The Love Song of J. Alfred Prufrock" does the speaker compare himself to an insect? Let us go, through certain half-deserted streets, The muttering retreats Of restless nights in one-night cheap hotels And sawdust restaurants with oyster-shells: Streets that follow like a tedious argument Of insidious intent The yellow fog that rubs its back upon the window-panes, The yellow smoke that rubs its muzzle on the window-panes Licked its tongue into the corners of the evening, Lingered upon the pools that stand in drains, Let fall upon its back the soot that falls from chimneys, Slipped by the terrace, made a sudden leap, And seeing that it was a soft October night, Curled once about the house, and fell asleep And I have known the eyes already, known them all— The eyes that fix you in a formulated phrase, And when I am formulated, sprawling on a pin, When I am pinned and wriggling on the wall, Then how should I begin To spit out all the butt-ends of my days and ways? And how should I presume? And would it have been worth it, after all, After the cups, the marmalade, the tea, Among the porcelain, among some talk of you and me, Would it have been worth while, To have bitten off the matter with a smile, ... If one, settling a pillow by her head, Should say: "That is not what I meant at all; That is not it, at all." Am an attendant lord, one that will do To swell a progress, start a scene or two, Advise the prince; no doubt, an easy tool, Deferential, glad to be of use, Politic, cautious, and meticulous; Full of high sentence, but a bit obtuse;

Which lines in this excerpt from "Easter, 1816" by W. B. Yeats suggest that the speaker had only a limited acquaintance with the people he is writing about? I have met them at close of day Coming with vivid faces From counter or desk among grey Eighteenth-century houses. I have passed with a nod of the head Or polite meaningless words, Or have lingered awhile and said Polite meaningless words, And thought before I had done Of a mocking tale or a gibe To please a companion Around the fire at the club, Being certain that they and I But lived where motley is worn: All changed, changed utterly: A terrible beauty is born. . . . Hearts with one purpose alone Through summer and winter seem Enchanted to a stone To trouble the living stream.

Which attributes of this poem by Ezra Pound are characteristic of modernist poetry? In a Station of the Metro The apparition of faces in the crowd; Petals on a wet, black bough. the economic use of language the absence of allusions to other works the lack of any indication of what the speaker thinks a precise image conveyed through an unexpected metaphor the close relation between the title and the poem

Which of these themes are you most likely to encounter in a modernist poem? the ultimate triumph of reason over doubt the importance of tradition in the modern world the difficulty of determining what is real the role of divine inspiration in guiding people's lives the celebration of the freedom of modern life

A Portrait of the Artist as a Young Man by James Joyce (excerpt) His heart trembled; his breath came faster and a wild spirit passed over his limbs as though he was soaring sunward. His heart trembled in an ecstasy of fear and his soul was in flight. His soul was soaring in an air beyond the world and the body he knew was purified in a breath and delivered of incertitude and made radiant and commingled with the element of the spirit. An ecstasy of flight made radiant his eyes and wild his breath and tremulous and wild and radiant his windswept limbs. — One! Two! Look out! — Oh, Cripes, I'm drownded! — One! Two! Three and away! — The next! The next! — One! UK! — Stephaneforos! His throat ached with a desire to cry aloud, the cry of a hawk or eagle on high, to cry piercingly of his deliverance to the winds. This was the call of life to his soul not the dull gross voice of the world of duties and despair, not the inhuman voice that had called him to the pale service of the altar. An instant of wild flight had delivered him and the cry of triumph which his lips withheld cleft his brain. Question 17 of 20 Instructions:Select the correct answer. In the passage, what does the metaphor of a bird soaring in ecstasy signify? Stephen's joy at having a sudden realization Stephen's gladness at being alone Stephen's hatred for social mores and rules Stephen's daydreaming about a pleasant life Stephen's excitement about his religious studies

Which text in these excerpts from Virginia Woolf's Mrs. Dalloway deal with the motif of water? How fresh, how calm, stiller than this of course, the air was in the early morning; like the flap of a wave; the kiss of a wave; chill and sharp and yet (for a girl of eighteen as she then was) solemn, feeling as she did, standing there at the open window, that something awful was about to happen; looking at the flowers, at the trees with the smoke winding off them and the rooks rising, falling; standing and looking until Peter Walsh said, "Musing among the vegetables?"—was that it?—"I prefer men to cauliflowers"—was that it? He must have said it at breakfast one morning when she had gone out on to the terrace—Peter Walsh. (June had drawn out every leaf on the trees. The mothers of Pimlico gave suck to their young. Messages were passing from the Fleet to the Admiralty. Arlington Street and Piccadilly seemed to chafe the very air in the Park and lift its leaves hotly, brilliantly, on waves of that divine vitality which Clarissa loved. To dance, to ride, she had adored all that.)

In this excerpt from Virginia Woolf's Mrs. Dalloway, identify the text that makes unconventional use of metaphors. What an extraordinary habit that was, Clarissa thought; always playing with a knife. Always making one feel, too, frivolous; empty-minded; a mere silly chatterbox, as he used. But I too, she thought, and, taking up her needle, summoned, like a Queen whose guards have fallen asleep and left her unprotected (she had been quite taken aback by this visit—it had upset her) so that any one can stroll in and have a look at her where she lies with the brambles curving over her, summoned to her help the things she did; the things she liked; her husband; Elizabeth; her self, in short, which Peter hardly knew now, all to come about her and beat off the enemy. "Well, and what's happened to you?" she said. So before a battle begins, the horses paw the ground; toss their heads; the light shines on their flanks; their necks curve. So Peter Walsh and Clarissa, sitting side by side on the blue sofa, challenged each other. His powers chafed and tossed in him. He assembled from different quarters all sorts of things; praise; his career at Oxford; his marriage, which she knew nothing whatever about; how he had loved; and altogether done his job.

Mrs. Dalloway by Virginia Woolf (excerpt) She felt very young; at the same time unspeakably aged. She sliced like a knife through everything; at the same time was outside, looking on. She had a perpetual sense, as she watched the taxi cabs, of being out, out, far out to sea and alone; she always had the feeling that it was very, very dangerous to live even one day. Not that she thought herself clever, or much out of the ordinary. How she had got through life on the few twigs of knowledge Fräulein Daniels gave them she could not think. She knew nothing; no language, no history; she scarcely read a book now, except memoirs in bed; and yet to her it was absolutely absorbing; all this; the cabs passing; and she would not say of Peter, she would not say of herself, I am this, I am that. Question 20 of 20 Instructions:Select the correct answer. What modernist theme does the excerpt highlight? the rejection of tradition meaning in the absence of God skepticism about absolute truths the search for self the question of reality