29 Art History: Impressionism

d. all of the above (painting scenes with an indoor, artificial light setting, using foreshortening, traditional training and visually enticing compositions)

c. Critics who thought these pieces were merely "impressions" of art.

b. light, the changes of light, and how it affected objects

d. Berthe Morisot

a. by replacing them with his young artist friends and their models

b. a technique that draws the viewer into the image

d. Monet

a. by painting the same subject over and over in different types of light

a. the visual effect that light produces on the scene

a. the content of the shadows of the facade's deep niche

c. It appears to be similar to a painting by Titian, yet really is the antithesis.

d. all of the above are true (The nude in Olympia stares down at us, indicating that she is in the position of power, The nude in Venus of Urbino looks lovingly at the male spectator, The nude in Olympia stares coldly and appears indifferent.)

d. all of the above (outdoor setting with natural light, the light reflections in the water, the subject matter)

c. It is about fleeting moments and subjective interpretation.

c. Edgar Degas